Media Studio · Ad Builder · Casting Engine

One offer.
Any face. Every scene.

Pick a synthetic character, or upload one photo of the owner. Either way you get a locked person — held identical across every scene of the ad, and brought to life in motion. This is the engine that casts a Media Studio ad.

Synthetic character portrait
Syntheticgenerated from a prompt
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Owner uploaded photo
The ownerfrom one uploaded photo
See them cast ↓

01 — The consistency proof

The same person. Every shot.

Three product scenes — arriving at the van, on the tools, booking the job at the door. Both faces stay unmistakably themselves. No two-different-men, no handshake with thin air.

Synthetic anchor
Synthetic character

Generated from a prompt

Synthetic character at the van
At the van
Synthetic character on the tools
On the tools
Synthetic character at the door
Booked in
Owner anchor
The owner

From one uploaded photo

Owner at the van
At the van
Owner on the tools
On the tools
Owner at the door
Booked in

02 — In motion

Then it moves.

Each still is animated — the face holds through the motion, too. Tap any clip to play.

Owner · booked at the door
Synthetic · booked at the door
Owner · ready for the day
Synthetic · ready for the day

03 — The owner, talking

Upload the photo.
They front the ad.

The same owner from the scenes above — from that one photo — now delivers the pitch to camera. Real UGC, in their face, without a film crew. Voice, script and captions are all swappable.

  • One photo in — a talking presenter out
  • Same locked identity as the scene work
  • Clean take — we composite logo & captions

04 — How it becomes an ad

The casting engine, inside the studio.

  1. 1

    Cast

    Pick a synthetic character or upload the owner's photo. One locked person, reusable across the whole ad library.

  2. 2

    Direct

    The AI director drafts the storyboard — van, tools, doorstep, talking-head — and composites each scene with your locked face.

  3. 3

    Publish

    Captions, logo and voice go on; it renders and publishes to Meta — then reads back which cuts convert, and makes more.